Explore the Collection

The Textile Museum of Canada’s collection consists of more than 15,000 objects including a salmon skin suit from China; 2,000 year old Nazca fragments from Peru; and a hooked rug by artist Florence Ryder (Standing Buffalo Reserve, Saskatchewan) that incorporates traditional Sioux designs.

While only a small percentage of our collection can be displayed in our galleries at once, our online collection allows you to access all 15,000+ objects from over 200 regions of the world, 24 hours a day! Explore some of our favourite textiles in the curated groups below or follow your own interests by searching or filtering the collection. Add your finds to ‘Today’s Favourites’ to create a group that you can download or share.

Explorez notre collection 

La collection du Textile Museum of Canada comprend plus de 15 000 objets, dont une veste chinoise en peau de saumon, des fragments textiles datant de 2 000 ans et tissés par les Nazcas du Pérou et un tapis au crochet de l’artiste Florence Ryder (réserve de Standing Buffalo, Saskatchewan) qui intègre des motifs traditionnels sioux.

Nos salles ne nous permettent hélas d’exposer qu’un tout un petit pourcentage de notre collection à la fois. Cependant, notre collection en ligne vous donne accès à plus de 15 000 objets provenant de plus de 200 régions du monde, et ce 24 heures par jour. Découvrez quelques-unes de nos pièces textiles préférées grâce aux sélections ci-dessous ou suivez le fil de vos idées grâce à notre système de recherche par mots-clés et par filtres.

Dress

This exceptional sari took five people two years to complete. It is entirely embroidered in the fine white-on-white chikan style of embroidery for which the city of Lucknow is famous. Most embroidered saris are decorated only on the areas exposed to view when the wrapped sari is worn; this includes one of the ends (pallu), the hem and about one-third of the “body.” This one, however, is entirely covered in elaborate needlework throughout its twelve-yard length. The Self-Employed Women’s Association (SEWA) was founded in 1984 to help abjectly poor Muslim women chikan embroiderers. After many years of struggle and opposition from the powerful male contractors (who controlled every aspect of the profession), SEWA succeeded in winning a market share for the women in its organization. Fair wages, self-respect, education and fine craftsmanship are cornerstones of SEWA.

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