Explore the Collection

The Textile Museum of Canada’s collection consists of more than 15,000 objects including a salmon skin suit from China; 2,000 year old Nazca fragments from Peru; and a hooked rug by artist Florence Ryder (Standing Buffalo Reserve, Saskatchewan) that incorporates traditional Sioux designs.

While only a small percentage of our collection can be displayed in our galleries at once, our online collection allows you to access all 15,000+ objects from over 200 regions of the world, 24 hours a day! Explore some of our favourite textiles in the curated groups below or follow your own interests by searching or filtering the collection. Add your finds to ‘Today’s Favourites’ to create a group that you can download or share.

Explorez notre collection 

La collection du Textile Museum of Canada comprend plus de 15 000 objets, dont une veste chinoise en peau de saumon, des fragments textiles datant de 2 000 ans et tissés par les Nazcas du Pérou et un tapis au crochet de l’artiste Florence Ryder (réserve de Standing Buffalo, Saskatchewan) qui intègre des motifs traditionnels sioux.

Nos salles ne nous permettent hélas d’exposer qu’un tout un petit pourcentage de notre collection à la fois. Cependant, notre collection en ligne vous donne accès à plus de 15 000 objets provenant de plus de 200 régions du monde, et ce 24 heures par jour. Découvrez quelques-unes de nos pièces textiles préférées grâce aux sélections ci-dessous ou suivez le fil de vos idées grâce à notre système de recherche par mots-clés et par filtres.

Shawl

This exquisite shawl was probably created in France. It resembles the famous shawls by Amédée Couder, a French designer who, in the 1830s, introduced Persian motifs into shawls and greatly influenced the style of jacquard-woven shawls throughout Europe. The shawl was woven with a silk warp and wool weft, and skilfully trimmed on the back for fineness and delicacy. The serpent trellis, cypress trees, patterns executed in plain green, and elegant tiny flowers in the border show a shift toward the Renaissance style of shawl in which Persian, Turkish or Chinese motifs (or variations on “oriental” themes by European artists) replaced the traditional Kashmir vocabulary.

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What's On!

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Vivez la nature sauvage

Vivez la nature sauvage

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Apprenez-en plus sur les textiles lors de nos événements

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